PD Fest, March 16 2013: Catching Up & Getting Ahead or How I Learned to Stop Worrying & Love Twitter

These are the links to accompany my presentation at English Australia PD Fest. If you came along to my presentation, drop me a line – I’d love to hear from you!

My Prezi

http://prezi.com/eibebyk064ge/catching-up-getting-ahead/

New Media Consortium (thanks @trylingual for sharing last year’s Horizon Report with me)

http://www.nmc.org/

http://www.nmc.org/publications/2012-technology-outlook-au

http://www.nmc.org/publications/2013-horizon-report-higher-ed 

Blogs

http://auselt.com/

http://learninginhand.com/

http://teachertrainingunplugged.com/

http://teachertrainingvideos.com/

http://appedelt.com/

http://scottthornbury.wordpress.com/

http://demandhighelt.wordpress.com/

http://hughdellar.wordpress.com/

http://malingual.blogspot.com.au/

Nik Peachey

http://www.scribd.com/doc/19576895/Web-20-Tools-for-Teachers

http://quickshout.blogspot.co.uk/

http://nikpeachey.blogspot.co.uk/search?updated-max=2012-12-06T23:37:00Z&max-results=1

Digital Literacies

http://connectedprincipals.com/archives/7773 – What is Digital Literacy?

http://www.educatorstechnology.com/2012/06/33-digital-skills-every-21st-century.html

http://search.creativecommons.org/

Using Evernote in the classroom

http://edudemic.com/2013/03/the-evernote-experiment/

Damien Herlihy & Zeke Pottage’s VoiceThread on using VoiceThread in the classroom

https://voicethread.com/?#q+action+research.b3331106.i18125128

MOOCs

http://theconversation.edu.au/the-business-of-moocs-how-to-profit-from-giving-away-something-for-nothing-12141

mLearning

http://www.theconsultants-e.com/resources/lessons/lessonrepository/mlearningplans.aspx

George Siemens & Connectivism (thanks again to @trylingual for introducing me to connectivism last year)

http://www.elearnspace.org/Articles/connectivism.htm

Cisco & the Internet of Everything

http://www.cisco.com/web/tomorrow-starts-here/index.html

http://www.cisco.com/web/about/ac79/innov/IoE.html

‘Discovery Listening’ revisited (again) – a joint post with Arun Warszawski

Last May – almost a year ago! – Rachael Roberts posted here and here about an approach to ‘teaching listening’ that Magnus Wilson named ‘Discovery Listening’. It inspired a very skeletal post from me, which I’m now finally getting around to following up, thanks to the lively #AusELT chat we had on the topic two weeks ago.

I started teaching in 2001 and spent my first couple of years following what John Field refers to as the ‘Comprehension Approach’ to ‘teaching listening’ (thanks Rachael Roberts for the link). I became increasingly aware that students found listening to authentic spoken English very challenging and also felt it was an important marco-skill to develop; yet, the coursebook listening activities never seemed to hit the mark. Getting students motivated to listen to the recordings more than once or focus on the transcript was bafflingly difficult. Then in Semester 1 of my MEd (TESOL) in 2007, I had an opportunity to delve into the topic properly and came across Wilson’s ‘Discovery Listening’ article and, in the same issue of the ELT Journal, an article by John Field which complemented Wilson’s article and provided more of the theoretical underpinning.

The light finally came on for me when I read these articles and I immediately put into practice a variation of Wilson’s Discovery Listening. What Wilson describes is essentially dictogloss, albeit an extension of it which encourages greater learner and teacher reflection on the actual listening process(es) itself, as opposed to simply the product. I had already been integrating authentic listening materials into my lessons, having recently come across StoryCorps, so I combined them with Wilson’s ideas and the simple step of giving students control over the recording itself, generally while working in small groups. This is what I’ve started referring to as the ‘Discovery Approach’ – a sort of homage to Wilson and Field.

At this point, I’ll hand over to my very talented friend and colleague Arun Warszawski (see his bio at the bottom of this post) to explain the ‘Discovery Approach’ (or ‘listening dictation’ as Arun calls it) in more detail:

Arun and I first started discussing this about 4 years ago and have had many more chats about further refinements to it since. We’ve also both had a lot of success with this approach with a large number and wide variety of classes/students. I’ve also run ‘Discovery Approach’ workshops in different locations and have received (as far as I can tell!) very positive responses from teachers each time.

One of these workshops was at the English Australia PD Fest in 2011. Here are the slides:

After slide 7, I distributed the following ‘Discovery Approach’ lesson plan:

The comments on slides 8-10 are from a class of Advanced-level GE students (some of whom had just successfully completed a CAE exam preparation course) who applied the ‘Discovery Approach’ to ‘decoding’ this StoryCorps recording. I think they reflect closely the student responses both Arun and I have had following the many ‘Discovery Listening’ sessions we’ve run.  I’ve included expanded comments here:

Slides 13-16 show ‘decoding’ errors of various types I observed in two separate classes – one Intermediate and one Upper-Intermediate/Advanced – when attempting to ‘decode’ this classic StoryCorps recording. (Apologies for the arrows getting jolted slightly out of place!)

The most recent workshop was at the end of January this year and I’ve been struck by the particularly strong impact it’s had this time:

  • A number of teachers immediately adopted the approach and have been using it regularly since the session three weeks ago.
  • Teachers have been sharing the enthusiastic feedback they’ve received from students with their colleagues in the staffroom.
  • Teachers have been talking about how the students were highly engaged in ‘decoding’ the authentic texts they were provided with.
  • One teacher reported that the students were still working in their groups during break time, engrossed in ‘decoding’ the text.
  • Teachers of classes ranging from Elementary GE to FCE have reported success.

It’s personally very rewarding to see such a significant and immediate impact but I think it reflects a couple of things:

  1. Many students and teachers (at all different stages of their careers) struggle to make the dominant, Comprehension, approach to teaching listening work for them.
  2. The ‘Discovery Approach’ is an effective alternative to the Comprehension Approach because it is simple: by giving students a challenging text and some autonomy in the classroom, you create an environment in which they can support each other in the ‘discovery’ of new/problematic features of spoken English and their abilities to decipher it.

I’d also like to think that it’s an example of a Demand-High approach to teaching listening :-)

After completing his CELTA at International House in 2008, Arun Warszawski spent the next four years teaching General English, IELTS and BEC-Vantage courses in Brisbane, Australia. He now resides in Montreal, Canada, where he has continued to teach.

Experiences with technology: Second conditional & Socrative

Some of you will be aware of Socrative already but, even if you are, you may not have actually tried it out in class. I learned about it from Paul Forster (@forstersensei) at the English Australia PD Fest in March, but only very recently got my first chance to use it with students. It’s a ‘student response system’, which means that you can get the students to respond to questions, tasks, quizzes using their mobile phones and all their responses can be quickly displayed in various forms on the screen for the whole class to see. Perhaps the best way to explain it is to describe how I used it in class recently.

I was filling in for a teacher on Pre-Intermediate General English and we were doing an exercise from the coursebook which required students to discuss a series of second conditional questions.

The first part of the activity I did as normal:

  1. I asked the students to stand up, bring their books and gather in the middle of the room.
  2. We talked through the questions together and checked any unclear/unfamiliar language.
  3. Students discussed the questions in pairs. I circulated, monitored and interrupted where necessary to give feedback.

At this point, I would usually write some of the things I heard up on the whiteboard and talk together about what was good, how we could correct any errors, etc. In this case, though, I decided to use Socrative. Watch this video to see how it works.

If you want to try something like this out in class, you’ll need to set up an account in advance (it’s completely free and easy to do).

  1. I asked the students how many of them had phones that could access the internet – 10 out of 12 did. I paired the two students who didn’t up with students who did.
  2. I asked them to open up m.socrative.com using their phone’s web browser. They did this without any problems.
  3. As the students were opening up Socrative, I logged in as a teacher and selected a ‘Short Answer’ activity from the teacher’s menu.
  4. The students then ‘joined’ my Socrative ‘room’ using my unique room number.
  5. I then asked the students one of the second conditional questions from the NEF speaking task, e.g. ‘What would you do if someone offered to buy you a fur coat?’
  6. The students typed their responses into their phones.
  7. Gradually, all the students’ responses were displayed on the screen for everyone to read – you can see these in the image below.

  1. Next, I asked the students to vote on the responses by selecting on their phones the response they found most interesting/amusing/etc.
  2. The results of the vote were displayed on the screen and we congratulated as a class the student whose response had received the most votes.
  3. We did this for two of the second conditional questions and then I asked students to tell me using Socrative whether they liked using it or not and why. You can see their responses in the image below.

I was actually surprised at how positively the students responded to using Socrative in class. There seemed to be quite significant effects on the students’ motivation during the activity and, from my perspective, also the quality of the language they were producing. These effects can of course be achieved without Socrative and mobile phones, but, for me, this experience showed me clearly the potential of using mobile devices in the classroom.

Two interesting points to note from the images above:

  1. I don’t know what ‘kick ur joint’ means – perhaps because of the anonymous nature of the task that particular student felt more comfortable contributing something seemingly random/irrelevant?
  2. Two of the students commented at the end that they didn’t have much battery life left and were perhaps worried about using it up early in the day.

Authentic Australian English + interaction with local community + Lego = ELT gold!

Try something different in class today…

- Put your Ss in pairs – make sure it’s clear to ss who their partner is
- Send one S from each pair out into King George Square – make sure they have a camera
- Get the Ss to take a photo of this:

20120831-074605.jpg

- In the meantime, keep the other Ss occupied with either a discussion of Australian English/slang or Lego (Did they play with it as a kid? Is it popular in their country? Memories associated with it? Is it just for boys? What skills does it help to develop?)

- When the Ss arrive back in class, get them to show their photo to their partner and discuss/investigate:
What does ‘Fair dinkum’ mean?
What’s The Lego Festival of Play all about?
How can they ‘broadcast their message’ on the Lego sign?
What message would they like to broadcast?

Songs for Class: ‘We Used to Wait’ by Arcade Fire

 

I personally really like this song but it’s also ideal for classroom use because:

  • the overall meaning of the song is clear and raises interesting questions about modern life which can be discussed in class before or after listening.
  • the vocabulary and grammar used is accessible to students from B1 level up.
  • the vocals are relatively clear and prominent in the mix.
It’s a perfect way to present/review the meaning and use of ‘used to’ (and tenses generally since it uses a range of past and present tenses as well as ‘going to’) as it contrasts modern lifestyles with those of the past. It could fit in with a broader theme of technology or modern lifestyles, especially in academic English, IELTS or EAP classes.
The main drawback for me is that, at 5 minutes, it’s a bit long – I prefer to use songs in class that are 2-3 minutes.

A possible lesson plan could be something like this:

  1. Ss discuss: Have you written a letter by hand? If so, when was the last time? If not, why not?
  2. Put the first five lines of the song on the screen. Tell Ss that it’s the beginning of a song, ask them if they know what song it is. Ask Ss to discuss the meaning of the lines.
  3. Give Ss a copy of the lyrics as a gap fill exercise (try removing more than just isolated words – remove whole lines, especially when connected speech may make it difficult for students to recognise the individual words).
  4. Play song twice while Ss fill in gaps.
  5. Ask Ss to compare answers in pairs/groups.
  6. Play song again, stopping after each gap to check. Play individual lines again if Ss are having trouble with them.
  7. Ask Ss to discuss the overall meaning of the song and express their feelings/reactions to it.
  8. Focus on parts of the song where the meaning may be slightly less obvious or which contain interesting/relevant linguistic features:
    • “But by the time we met the times had already changed” – Why is Past Perfect used?
    • “So when the lights cut out I was left standing in the wilderness downtown” – What does this mean?
    • “Now our lives are changing fast. Hope that something pure can last” – What does this mean?
    • “But what’s stranger still is how something so small can keep you alive” – What does this mean?
    • “Like a patient on a table, I want to walk again, gonna move through the pain” – What does this mean?
  9. Play song again, get Ss to sing along.